barbarie - significado y definición. Qué es barbarie
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Qué (quién) es barbarie - definición

ORATORIO BY ANTONIO VIVALDI
Juditha Triumphans; Juditha Triumphans devicta Holofernes barbarie
  • First edition of ''Juditha triumphans''

Civilización o Barbarie         
  • Basel, Concert Space Concept
  • ''Bremen, Concert Space Concept. Inverted situation: the audience sitting on the stage, the loudspeakers on the ranks''
Civilizacion o Barbarie
Civilización o Barbarie (Civilization or Barbarism) is a tape-cycle from 1984 by the Argentinian composer Bernardo Mario Kuczer. The name is a paraphrase of the title of the book Facundo: Civilización y Barbarie, published in 1845 by the Argentine statesman and writer Domingo Faustino Sarmiento.
Langue de Barbarie         
  • Ruins in the park
  • Animation of the widening of the breach.
THIN SANDY PENINSULA WITHIN LANGUE DE BARBARIE NATIONAL PARK
Langue de Barbarie National Park; Parc National de la Langue de Barbarie
The Langue de Barbarie (French for "Barbary spit of land", named after the Barbary Coast) is a thin, sandy peninsula, adjacent to the Atlantic Ocean, located in western Senegal, in the neighbourhood of the city of Saint-Louis. The peninsula separates the ocean from the final section of the Senegal River.
Socialismo e Barbarie         
ALBUM BY CCCP FEDELI ALLA LINEA
Socialismo e Barbarie (Socialism and Barbarism) is the second studio album released by the Italian punk rock band CCCP Fedeli alla linea in 1987. It is a less cohesive work than their first album, that ran the gamut from Middle Eastern music to the Soviet national anthem, from Catholic hymns to feedback workouts.

Wikipedia

Juditha triumphans

Juditha triumphans devicta Holofernis barbarie (Latin: 'Judith triumphant over the barbarians of Holofernes'), RV 644, is an oratorio by Antonio Vivaldi, the only survivor of the four that he is known to have composed. Although the rest of the oratorio survives completely intact, the overture has been lost. The Latin libretto was written by Iacopo Cassetti based upon the Book of Judith.

The exact date of composition and performance of Juditha triumphans are not known, but the allegorical treatment of the Venetian defense of Corfu dominated public discussion in Venice throughout 1716. This work was an allegorical description of the victory of the Venetians (the Christians) over the Turks in August 1716. The work was commissioned to celebrate the victory of the Republic of Venice over the Turks during the siege of Corfu: in July 1716, the Turks had landed on Corfu and set siege to the island. The population resisted the occupation and, in August, Venice signed an alliance with the Holy Roman Emperor. On 18 August, under the leadership of Count Johann Matthias von der Schulenburg, the decisive battle was won and the Turks abandoned the island.

Although widely reported to have been performed at the Ospedale della Pietà in November 1716, the victorious General Schulenburg could not have been in the audience of any performance prior to January 3, 1717.